In this historical opera, as easily as in his subsequent opera Ruslan and Ludmila (1842), the orchestral magic Kamarinskaya (1848), and many songs, Glinka successfully fused the typical melodies, harmonies, and rhythms of Russian kinfolk music with the forms and techniques of Italian opera -- creating an eclectic but outstandingly national idiom. Glinkas younger contemporary, Alexander DARGOMYZHSKY, is best known for his diverge on subsequent nationalist composers through his posthumously produced opera The stone pit Guest (1872), a radical blast to promote musical comedy realism by abandoning the forms and conventions of conventional opera i...If you want to stun a full essay, piece it on our website: OrderCustomPaper.com
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