In both the excerpts from Kargonn train der Zees novel A mystical heartache and in Gail Godwins short bill A mourning(a) Wo musical composition, the plots centre on ideas of sexual union and family. Conversely, man and wife and family are presented in really different lights in the two stories. Karen wagon train der Zee presents marriage with children as perfect and completely fulfilling; it is what Faye, the hero of A Secret Sorrow, wants and what is necessary to her happiness. For Godwins unnamed protagonist, marriage and family are close to the antithesis of happiness; her home life takems to die hear and lastly leads her to death. A Secret Sorrow right off endorses and encourages marriage, whereas A Sorrowful Woman indirectly questions and discourages it. Both of the pistillate protagonists in the two stories pay back a contradict. In A Secret Sorrow Fayes conflict comes before the marriage. She is afflicted with misery and torment because she cannot have ch ildren and fears that this forget prevent her from marrying the man she loves. Both she and her beloved, Kai, desire marriage with children, and van der Zee suggests that whole with these things will they truly be happy. Faye nips that her unfitness to have children is a fatal flaw that cuts her off from Kais love.
any eon we see some pregnant char, every time were with somebody elses children Ill feel Ive failed you! (Zee 35). Fayes anxiety and fear are found on the feeling of losing her beloved Kai, accompanied by neer having children. In A Sorrowful Woman, however, the conflict comes after the marriage, w hen the woman has already secured her econo! mise and child. Unlike Faye, who would be ecstatic in this womans situation, the protagonist of Godwins story is not. Oddly enough, her husband and son nonplus her such mourning that eventually... If you want to get a bounteous essay, order it on our website:
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