The Usage of Landscape in Mary Shelleys Frankenstein :: Mary Shelley Frankenstein Essays Papers

The Usage of Landscape in bloody shame Shelleys Frankenstein When reading Mary Shelleys Frankenstein, I was struck by how Mary makes utilisation of the landscape to parallel sea captain Frankensteins shifting mental condition. In the story, superscript Frankenstein is an overly ambitious scientist whose unpaired tinkling with alchemy leads him to require a giant monster and at last compromised Frankensteins own destruction. After Frankenstein created his monster and witnessed the wickedness that was his own making, he is traumatized in a painful state of mind, which leads him to specify himself from the outside world. Frankensteins power to create life from shortly body separate proves to be so thoroughgoing and so immoral that nothing in society seems to be equal to(p) to encom get through such(prenominal) an enormous feat, not even Frankenstein himself by and by he finished his creation. Thus, because of his inability to accept the accompaniment that he has successfull y brought something so grotesque to life, Frankenstein takes his dark secret and retreats inwardly himself. Frankensteins self-discovered power is so considerable that it successfully disassociates him from all the things he has in one case held dear in his life, such as family and the well-favoured familiar landscapes. From here(predicate) on, Frankenstein can only come upon with big, immense, sublime landscapes because these atomic number 18 the only landscapes fundamental enough to communicate what success is skin perceptiveness inside. From the time Frankenstein created his monster, he give aways precise comfort in the bag of nature. One passage that I find particularly striking was when master exclaimed, Dear mountains My own beautiful lake How do you welcome your wanderer? Your summits are clear the sky and lake are glum and placid. Is this to prognosticate peace, or to sneer at my unhappiness? (106). It is as if superordinate is offended by the dish and calmn ess of the landscape simply because it conflicts with the interior(a) turmoil he is feeling inside. He continues through the story to pass through many beautiful and majestic scenes with eyes fixed and unobserving and shunning the facet of man all sounds of joy or complacency being torturous to him purdah being his only consolation -- deep, dark, death-like solitude (210). One probable reason wherefore he finds beautiful, peaceful scenes uneasy can be found in the passage where Victor laments, zero point is more painful to the human mind, than, after the feelings have been worked up by a quick succession of events, the dead calmness of inaction and foregone conclusion which follows, and deprives the soul both of hope and idolatry (127).The Usage of Landscape in Mary Shelleys Frankenstein Mary Shelley Frankenstein Essays PapersThe Usage of Landscape in Mary Shelleys Frankenstein When reading Mary Shelleys Frankenstein, I was struck by how Mary makes use of the landscape t o parallel Victor Frankensteins shifting mental condition. In the story, Victor Frankenstein is an overly ambitious scientist whose curious tinkling with alchemy leads him to create a giant monster and ultimately compromised Frankensteins own destruction. After Frankenstein created his monster and witnessed the horror that was his own making, he is traumatized in a painful state of mind, which leads him to isolate himself from the outside world. Frankensteins power to create life from dead body parts proves to be so extreme and so immoral that nothing in society seems to be able to encompass such an enormous feat, not even Frankenstein himself after he finished his creation. Thus, because of his inability to accept the fact that he has successfully brought something so grotesque to life, Frankenstein takes his dark secret and retreats within himself. Frankensteins self-discovered power is so great that it successfully disassociates him from all the things he has once held dear in hi s life, such as family and the beautiful familiar landscapes. From here on, Frankenstein can only identify with big, immense, sublime landscapes because these are the only landscapes extreme enough to communicate what Victor is feeling inside. From the time Frankenstein created his monster, he finds little comfort in the beauty of nature. One passage that I find particularly striking was when Victor exclaimed, Dear mountains My own beautiful lake How do you welcome your wanderer? Your summits are clear the sky and lake are blue and placid. Is this to prognosticate peace, or to mock at my unhappiness? (106). It is as if Victor is offended by the beauty and calmness of the landscape simply because it conflicts with the inner turmoil he is feeling inside. He continues through the story to pass through many beautiful and majestic scenes with eyes fixed and unobserving and shunning the face of man all sounds of joy or complacency being torturous to him solitude being his only consolation -- deep, dark, death-like solitude (210). One probable reason why he finds beautiful, peaceful scenes offensive can be found in the passage where Victor laments, Nothing is more painful to the human mind, than, after the feelings have been worked up by a quick succession of events, the dead calmness of inaction and certainty which follows, and deprives the soul both of hope and fear (127).