'Bridging the Gap\r'

'Bridging the recess January 28, 2014 Poetry of the seventeenth blow is unique beca enjoyment it is of a metaphysical nature and it is deeper in meaning that the imposing bed poetry before its time. It focuses on love, end, and exhalation other than demise such as purity and substantive possessions. The seemingly imposable things such as the time to come and paradise ar said to be metaphysical in nature and both subjects argon point in the three selected poesys for this paper. Ben Jonson exhibits affliction upon the loss of his front just about daughter and his offset son in the meters â€Å"On My First news” and â€Å"On My First young lady”, only when his grief is displayed in different musical nones.Anne Bradstreet exhibits grief over the loss of her home and solely of her material possessions in â€Å"Here Follows Some Verses Upon the tan of Our accommodate July 10th, 1666”, but her grief turns into a consoling belief as she reali zes her true possessions argon in promised land, not on Earth. â€Å"Thou hast a house on high erect, framed by that mighty Architect, with renown richly furnished” (Ferguson, Salter, & axerophthol; Stallworthy, 2005, p. 467). The three elect verses deal with loss and grief.The poet of distributively poem expresses ghost alike(p) beliefs in promised land and the hereafter and a comforting tone is exhibited for the proof proofreader to remark comfort in the possibility that a better life exists beyond life on Earth. Ben Jonson was a poet born in 1572 and died in 1637. His work is often considered classical dramatics. His poem â€Å"On My First Son” expresses sorrow for the close of his first son. The poem is an elegy which means the poem is a serious reflection and a pitiable poem near the breath little. This is a twelve stock certificate poem with six pairs of rhyming couplets. Line pentad is the most emotional stock certificate. â€Å"O could I fla ke out all father now! ” (Ferguson et al. p. 323). Jonson tries to see death as an escape from the world. There is a calmer tone later in the poem as the poet is speech in a more positive mood, comprehend his son as his finest creation. The poem is create verbally from the seventeenth century England and clawhood illnesses were often fatal. Hospitals, vaccinations against diseases, antibiotics and treatments were unknown during that time. umteen children did not live very long. When they died, p atomic number 18nts reacted to their death in a different manner than citizenry in current society react to the death of a child. The poem is delivered in rhyming lines called couplets and it is addressed to the dead son.Metaphor is present when Jonson refers to his son as being lend to him. For seven years. â€Å"Seven years thou wert change to me, and I thee pay exacted by thy fate, on the meet day” (Ferguson et al. , p. 323). Jonson believes that all life is a yield from God, and now God is taking back his child at a young and tender develop of seven. As Jonson grieves over his son, he too shows the reader how death is something to be envied. Perhaps death is something to reflection forward to. This tanging is explained in lines seven and octad when Jonson states â€Å"To have so soon scoped world’s and flesh’s rage, and, if no other miser, nonetheless age” (Ferguson et al. p. 323). An escape from the turmoil that one encounters throughout life is escaped by death. Jonson also vows to not become too attached or to love someone too much in the future tense so he will not feel so much pain again. Jonson also wrote â€Å"On My First Daughter” which is an elegy about his first daughter who died at the age of six months old. In this poem, Jonson believes vigour lasts forever and death is inevitable. Written in the 17th century, childhood death was not uncommon. Jonson delivers sadness as well as a quality of comf ort and belief that the poet’s baby girlfriend is in Heaven.A hidden message in this poem is that death is not the final destination. The religious thoughts throughout the poem offer peace and comfort about death and the afterlife. â€Å" except all Heaven’s gifts being Heaven’s due” (Ferguson et al. , p. 323) insinuates that nothing lasts forever and death is inevitable. Jonson sees his daughter’s death as if she belongs to God and now God has interpreted her back. This twelve line poem contains six pairs of rhyming couplets. Lines three and four demonstrate a rationalisation of the death as well as the index for Jonson to overcome his emotions more than a woman could. Yet all heaven’s gifts being Heaven’s due, it makes the father less to rue” (Ferguson et al. , p. 323). He also finds comfort in knowing he lost his daughter to death with her innocence intact. Because she died with her innocence, in that location is a specia l honor of believing she in honored in Heaven and Jonson finds comfort in the sad event of his daughter’s death. Jonson uses freethinking in his poems as he reasons with the death of his children. â€Å"On My First Daughter” has a different office and delivery from the attitude and delivery regarding his son’s death in â€Å"On My First Son”.He appears to accept his daughter’s death with less grief than his acceptance of his son’s death. The continuance of time he had with his daughter and his son could also determine the tone he took in separately poem. He could have bonded with his 7-year-old son as where he did not bond with the 6-month-old daughter. He does however find comfort in believing both children are in Heaven and free from pain. He believes Heaven is a better place than nutrition on Earth. Anne Bradstreet, born in 1612 and died in 1672, is the 17th century puritan precedent of â€Å"Here Follows Some Verses Upon the Burni ng of Our House July 10th, 1616”.Her subjects within her poems were home, life, relationships, living, sorrow, and grief. Her faith and values are apparent throughout the poem. The rhyming of every twain lines allows the reader to process the words before passage to the next dickens lines. The nine six-line stanzas are written in plain style. The Puritan in Bradstreet preferable a plain style of writing that rarely included figurative language. She stressed simplicity, clarity of expression, the use of everyday words, and the implied metaphor even though most of her images and words are literal throughout her poem.The mount of Bradstreet’s poem is the 17th century Puritan colonies in North America. The theme of the poem is that materials possessions are worthless and the only thing that is worthy is loss to Heaven in the afterlife. The reader takes a journey through the descriptions of Bradstreet’s possessions before her true feelings are revealed regardin g loss, material possessions, and a person’s salvation in Heaven. There are obvious execration inversions to accommodate the demands of rhyme. This is present in the first line of the poem â€Å"In silent night when inhabit I took for sorrow near I did not look” (Ferguson et al. p. 466). The speaker becomes aware of her house impatient down and she informs her readers about the material objects in a material world. Pain and loss are explored mend memories and fantasies about her home are revealed. â€Å"No pleasurable tale shall e’er be told, nor things recounted do of old” (Ferguson et al. , p. 467). The statement reveals a woman affliction the material loss while also wo the lost years of an imagined future in her house. The bout point in the poem occurs when the speaker is finished grieving over the ruins of her home.She begins to realize that she should focus on her home in Heaven and the beautiful afterlife she will have rather than her ho me on Earth. The last two lines of the poem express to the reader how the speaker truly feels. â€Å"My world no endless let me love, my hope and treasure lies above” (Ferguson et al. , p. 467). Bradstreet, like Jonson, finds comfort in believing in the afterlife and having faith that Heaven is where technical and Holy people will spend eternity. Heaven, in both author’s beliefs, is a better place than living on Earth.The gift of Heaven through good works was a common belief during the 17th century. Jonson and Bradstreet both suffered a great loss. Jonson lost two children to death while Bradstreet lost her home and all of her possessions to a fire. They both grieved over their loss but in a different way. The end of each poem confirms the author’s religious beliefs that Heaven and the afterlife are better than life here on Earth. References Ferguson, M. , Salter, M. J. , & Stallworthy, J. (Eds. ). (2005). The Norton anthology of poetry (5th ed. ). New Yor k, NY: W. W. Norton & Company.\r\n'